During a recent master class in Berlin, I introduced the “mixed seven-rings.” These Laban scales are analogous to the major diatonic scales in music. Participants were instructed to use the seven “signal points” of the scale as if they were musical notes and to compose a “spatial melody” in four measures.
Students could use the signal points in any order and make them any duration. Individuals could embody the specified directions in any way they chose. Yet, interestingly, when we watched these solos, the freely constructed spatial melodies retained the fundamental qualities that Laban highlights in his unpublished writings on the mixed seven-rings. That is, these choreutic forms combine arabesque-like shapes that penetrate space with attitude-like shapes that encompass space.
As one participant commented to me later, this creative assignment made space harmony relevant. Rather than “received wisdom,” that is, spatial sequences taught and repeated by rote, Choreutics came alive. It became a design source for dance!