Historically, Laban’s dance notation system and his movement analysis framework were developed separately and at different points in Laban’s career. Since notation came first, it has a longer track record and a more delineated focus on dance.
Movement analysis theories crystallized later, when Laban was working in industry, education, psychology, and theatre rather than dance. Perhaps this accounts for the many different ways in which movement analysis is being used today.
The overlapping conferences at OSU both revealed these diverse perspectives and also reinforced the shared roots of notation and movement analysis. In closing, I will paraphrase the welcoming comments of Valarie Williams, ICKL Vice-Chair:
“May this week inspire collaborations, spark fresh ideas, and reaffirm our collective commitment to the art and science of movement study.”