We know that human movement is incredibly varied, both in its visible spatial forms and its dynamic nuances. Nevertheless, there are natural limits to physical movement and the flow of thoughts and feelings.
Having studied artist’s anatomy, Laban recognized that joint structure, range of motion, and bodily proportion define the kinds of trace-forms that the dancer’s limbs can create in the kinesphere. These are natural limits.
Through his theory of effort drives, Laban provided a map of the inner landscapes of the dynamosphere. While human effort seems almost boundless, there are natural limits that govern the flow of thoughts and feelings that drive human action. As Laban writes, “Man’s desire to orient himself in his drives results in definite effort rhythms.”
Find out more in “The Transformation Drives,” starting at the end of October.