Writing Meaning in Motion

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I didn’t start out to write an introductory Laban Movement Analysis text.  It began as a compilation of teaching materials I’ve developed over the last three decades, teaching in Certificate Programs in New York, Chicago, Seattle, Los Angeles, Salt Lake City, Berlin, The Netherlands, and England.

As the LMA teaching community knows, we have limped along for years with copies from a hundred different sources.  And so, it made sense to turn the compilation into a proper text, primarily designed for use in university movement analysis courses.… Read More

The Value of Movement Study

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The diversity of applications of movement analysis showcased at the June conference in Montreal was awesome.  And that is just the beginning….

As the sociologist Bryan S. Turner noted:  “The body is at once the most solid, the most elusive, illusory, concrete, metaphorical, every present and ever distant thing.”  Surely the same can be said of bodily movement – it is omnipresent in human life, yet elusive to perceive and interpret. Nevertheless, it has enormous potential.

According to journalist Olive Moore:  “This science of movement study is so remarkable that at first its significance is difficult to grasp. … Read More

Embodied Decision Making

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In my discussion of Movement Pattern Analysis (MPA) at the public lecture session in Montreal, I aimed to demonstrate how knowledge from the field of dance became relevant and valued in the business world.

After introducing the creators of MPA – Rudolf Laban, F.C. Lawrence, and Warren Lamb – I explained that body movement is different from body language.  Body language is based on interpreting gestures and fixed positions such as “crossed arms indicate rejection.”  In MPA, the meaning is in the movement.… Read More

Applications of Movement Analysis

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The Montreal event included a full morning of various presentations on applications of movement analysis for the public.  The formal lectures, delivered in French or English with simultaneous translation, covered a fascinating array of disciplines and approaches, both qualitative and quantitative.

Brigitte LaChance, a Canadian physical therapist, discussed what Laban Movement Analysis (LMA) contributes to her rehabilitative work with seriously injured clients.  Odile Cazes, a French psychometrician, described how she applies Functional Analysis of the Dancing Body (AFCDM) in training osteopaths in hands-on techniques. … Read More

Observing Movement from Two Perspectives

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The June gathering in Montreal of American, Canadian, and French movement analysts provided many opportunities for moving, observing, and talking together.  This was a daunting enterprise, for not only were participants navigating between two systems of movement analysis but also two languages – English and French.

To facilitate this exchange, there was a full day of movement workshops based on the themes of flow, weight, and relationship to space.  On the Laban Movement Analysis (LMA) side, Kathie and Pat Debenham, Cate Deicher, Tricia Bauman, and Martha Eddy led sessions respectively exploring weight and flow, combinations of weight and flow, space effort, vision and fluid systems. … Read More

Comparing Movement Analysis Practices

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As one of 12 Laban Movement Analysts who participated in a 2014 research project comparing our observations with those of 12 experts in the French system of Functional Analysis of the Dancing Body (AFCMD), I was keen to hear the preliminary results of the study.

The presentation of the project by co-researchers Nicole Harbonnier-Topin, Genevieve Dussault, and Catherine Ferri at the Montreal conference in early June did not disappoint.  Here is a brief report on their findings.

The study focused on making explicit the “tacit knowledge” employed by expert movement analysts.   … Read More

International Movement Analysis Encounter

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During the first week of June, I participated in unique collegial exchange with fourteen other movement analysts from the U.S., Canada, and France. Hosted by the Dance Department of the University of Quebec at Montreal, the seminar provided an opportunity for comparative and comprehensive study of two approaches to qualitative movement analysis: Laban Movement Analysis and Functional Analysis of the Dancing Body, a system developed in France and little known in the English-speaking world.

The purpose of the Montreal seminar was threefold: 1) to renew perspectives and the analytical discourse about the dancing body, 2) to explore movement analysis’s potential to enhance and refine the narration of aesthetics in performing arts, and 3) to open up exchange and discussion on the contributions of movement analysis to the fields of dance, theatre, music, kinesiology, ethnology, nonverbal communication, and therapy.… Read More

Reflections on Decoding Choreutics

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Choreutics has always been my favorite book by Rudolf Laban.  Since first reading parts of it as an undergraduate, it has inspired and mystified me by its occasional and seemingly abrupt shifts between systematic description and cosmic speculation.  Laban hints at a deeper significance in human movement, but how he gets from A to B is elusive, thought-provoking, and exciting.

My most recent re-reading was occasioned by leading a correspondence course on Choreutics, accompanied by  21 curious and acute readers.  I have not dispelled all mysteries as the result of this experience, but I have come to terms with what Laban was attempting to do. … Read More

Diagonal Corridors of Action

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For many years, I have been puzzled by Laban’s emphasis on the cubic diagonals.  He has embedded these oblique internal lines, which connect opposite corners of the cube, in his theories of both space and effort.

Spatially, diagonals represent the most mobilizing lines of motion, the slanted trajectories that lead to flying and falling. In addition, the cubic diagonals serve as axes for all the most familiar Choreutic sequences:  the Primary and A and B Scales.  The girdle, the axis scales, the polar triangles, and transverse 3-rings are all situated alongside or around these oblique lines, forming a variety of movement shapes encompassing an empty corridor of action.… Read More

Making Choreutics Personal

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Bringing choreutics to life means finding a way to make it personally meaningful.  This is the key to being able to teach this part of Laban’s work in a lively way.

The forthcoming Octa workshop aims to support personal understanding and good teaching practice.  So there will be homework assignments that ask participants to bring their own imaginative forces to bear on moving and teaching choreutic forms.

For example, consider the Primary (aka Standard) Scales.  There are four of these 12-rings. … Read More