Friends of Movement Study 1 – Kaoru Yamamoto

MoveScape Center

While developing ideas for the book on movement observation and analysis that became Beyond Words, I knew that I did not want the text to be narrowly focused for a movement audience of dancers and athletes. I wanted Beyond Words to be a book for anyone whose professional activities involved face-to-face interactions with people, a text that could help professionals of all sorts understand the nonverbal dimensions of human interactions.

If the book were to succeed, I needed a collaborator, someone who was sensitive to movement and, at the same time, able to contribute other professional skills and perspectives.… Read More

Laban Movement Analysts – A “Cognitive Minority”

MoveScape Center

Laban-based movement professionals belong to a “cognitive minority,” a term coined by sociologist Peter Berger. Berger points out that all human societies are based on knowledge. However, most of what we “know” has been taken on the authority of others. For example, I’ve never personally attempted to verify that the earth travels around the sun, but I accept this view as genuine knowledge of how our solar system functions.  Such socially-shared concepts define our world and allow us to move through life confident that we know what is real and meaningful, and what is not.… Read More

On Flow, Lamb, and Kestenberg

MoveScape Center

One of the little known facts of Warren Lamb’s career was his close involvement with Judith Kestenberg and the synergy of ideas generated by their long association. In the early 1950s each had begun to study movement independently. Kestenberg was observing infants in maternity wards, recording their movements with EMG-like tracings.  Meanwhile, on the other side of the Atlantic Ocean, Lamb was observing adults and recording their movements with Laban’s effort and space notation.

The two were introduced by Irmgard Bartenieff in the late 1950s.… Read More

Laban and Lamb

MoveScape Center

One of the things I have appreciated most about Warren Lamb’s work is how faithfully it adheres to the basic principles of movement set out by Rudolf Laban.

For example, Laban’s taxonomy has two broad categories: effort and space. Effort consists of four motion factors: Space, Weight, Time, and Flow. Qualities of these factors can be combined, to produce a wide variety of dynamic expressions.

Laban’s spatial scheme starts from a simple delineation of the cardinal directions – vertical, horizontal, and sagittal.… Read More

Movement and Authenticity

MoveScape Center

Martha Graham claimed that “movements never lie.” I’d like to believe this. However, contemporary research shows that bodily actions can be used purposefully to mislead the observer.

Thus human movement is both genuine and artificial. If one wishes to understand the nonverbal dimensions of an individual’s behavior, it becomes necessary to distinguish between authentic expressions and actions that are meant to create a certain impression.

Warren Lamb grappled with this problem. As a business consultant, he was often asked to make hiring recommendations among short-listed candidates.… Read More

Movement Patterns Over Time

MoveScape Center

Before I ever met Warren Lamb, I recognized that movement occurs in patterns. While the stream of everyday motion appears to be a turbulent jumble, there is an underlying pattern of change. My pattern is not like your pattern. Everyone’s movement pattern is a little different and consequently individually distinctive, like a fingerprint.

These individual patterns only become apparent over time. To capture an individual’s movement fingerprint requires patience, for the pattern emerges gradually. For this reason, the interview used to collect data for a Movement Pattern Analysis profile is lengthy, running close to two hours.… Read More

Warren Lamb’s Legacy: On the Shoulders of Giants

MoveScape Center

Warren Lamb was one of the most creative people I have ever known, though he was always quite modest about this. Indeed, I believe if asked about his accomplishments, he would have been likely to reply as Sir Issac Newton did –“If I have seen further, it is by standing on the shoulders of Giants.”

Warren was lucky enough to work with two giants, Rudolf Laban, a movement genius, and F.C. Lawrence, one of the first English management consultants. Warren gained his profound understanding of movement by drawing on Laban’s ideas, while his association with Lawrence provided practical experience as a business consultant.… Read More

Extension Systems and Movement Study II

MoveScape Center

When I did the Laban Movement Analysis Program at the Dance Notation Bureau in the mid-1970s, we were required to document our final projects using two extension systems: simplified Labanotation (motif writing) and film. The latter documentation was accomplished with a small super 8 camera, a mode of recording that is now obsolete.

Several years later, Irmgard Bartenieff and I purchased the first videotape equipment for the Laban Institute. We bought Sony Betamax because of its high quality. Almost overnight, this equipment became obsolete, because the American market wholeheartedly went for VHS – the quality was not as good but it was cheaper.… Read More

Extension Systems and Movement Study I

Movescape Center

Human movement is a dynamic and ephemeral phenomenon. It disappears without a trace and leaves no artifact behind. Consequently, movement has been very difficult to study. The means for capturing and preserving movement behavior in material forms are comparatively new and depend upon other extension systems. These include drawings and notations along with mechanical recordings such as instantaneous photography, film, video, and motion capture.

All extension systems amplify biological functions. For example, a knife does a better job of cutting than the teeth and a photograph extends the visual impressions of the eye.… Read More

“Swan Lake” and the Industrial Revolution

MoveScape Center

While the Choreometrics study focused on the relationship between work movements and dance in pre-industrial societies, I once heard Lomax draw an equally provocative association between European folk dance, ballet, and the advent of the Industrial Revolution in western Europe.

The extent to which all dancers are doing exactly the same thing at the same time varies considerably among folk dance traditions. Certain western European folk dances show a high degree of synchrony, symmetry, and spatial precision, resulting in what Lomax calls “regimented choreographies.”… Read More