Laban’s Choreutics in Context

In Choreutics, Laban relates human movement to a dizzying array of subjects – Pythagoras, crystals, Lissajous curves, symmetry, musical semitones, lemniscates, cuboctahedra, the Golden Mean.  Consequently, for each reading assignment in the “Decoding Choreutics” course, I provide a written Commentary to help participants understand the wide-ranging relationships Laban mentions.

Dance historian Walter Sorrell claims that Laban was “a voracious reader whose thirst for knowledge embraced everything from religion and philosophy to literature and science.” This is because artistic and scientific circles overlapped to a much greater extent during Laban’s lifetime than is now the case.… Read More

Third Time Charm for “Decoding Choreutics

MoveScape Center has run “Decoding Choreutics” twice – once in 2016 and again in 2017.  Over 40 students on four continents have taken the course.  Here is what they say about the experience.

“This has been a wonderful re-connecting with Laban’s teaching.”

“The questions were the perfect assistant in helping me to form clear understandings of Laban’s writings.”

“The pace was lovely and kept me fully engaged from week to week.”

“When reading Choreutics on my own, I often felt either inspired or frustrated. Read More

Why Choreutics Needs Decoding

Laban wrote Choreutics during 1938-39, while convalescing at Dartington Hall in England.  He intended for the book to introduce his ideas to the English reading public.   Then World War II broke out.  The resident artists at Dartington Hall were dispersed, and Laban gave the manuscript to his Dartington benefactors for safe keeping.  The manuscript was only rediscovered and published in 1966, after Laban’s death.

When Laban wrote Choreutics, he had not yet invented the symbols for effort notation.  Consequently, he had to use spatial direction symbols, amended with a small “s,” to represent effort qualities and combinations.… Read More

Popular “Decoding Choreutics” Course Returns

Coming in early March — MoveScape Center again offers a unique opportunity to study Rudolf Laban’s masterpiece, Choreutics ! 

In this inspirational work, Laban articulates his understanding of the physical and metaphysical dimensions of human movement.  And although his presentation is logical, many parts of the book are difficult to grasp.

That is why I have developed this correspondence course.  Together with me over six weeks, participants read the first 12 chapters – though not necessarily in numerical order.  Here’s why.… Read More

The Movement Observation Phrase

Rudolf Laban noted that movement occurs in patterned phrases of preparation, exertion, and recuperation.  When I was learning to analyze movement, I found applying this structure helped me see movement events more clearly.

We all have movement habits; that is, there is a pattern to each individual’s movement behavior in which certain facets of movement occur more frequently than others.  The pattern is real, but it takes time to see it.  And this is where phrasing is helpful.

Preparation in observing actually has two parts: relaxation and attunement. … Read More

Harmony and Disharmony

While Laban was certainly concerned with how the different movement elements of body, space, effort, and shape cohere in meaningful human actions, he was also interested in exploring disharmony.  To widen his understanding of harmonic and disharmonic movement patterns, Laban reportedly visited a lunatic asylum in Paris in 1902, basing a later personal solo, “Marotte,” on his observations.

Notions of disharmony also served as Laban developed a repertoire for his chamber dance groups.  One type of dance was called a “grotesque.”Read More

Elements of Movement Harmony II

In addition to proportion, balance, and symmetry, Laban identified order, kinship, and unity of form as elements of movement harmony.  

Order is particularly important in spatial sequences.  For example, if a series of continuous movements were to be filmed, then cut apart and randomly spliced back together, a dream-like sequence would result, full of unexpected jumps, overlaps, and repetitions.  According to Laban, a movement makes sense only if “it progresses organically,” with phases following in a natural order of directional change.Read More

The Movement Harmony Project Blasts Off

During the summer, fifteen explorers on four continents participated in MoveScape Center’s new offering – the Movement Harmony Project Part 1.  This unique correspondence course combined reading, writing, moving, and coloring as inroads to understanding the harmonic intervals of Laban’s Primary Scales.

Laban identified four Primary Scales.  These are twelve-sided “rhythmic circles” that meander peripherally around kinesphere. They are complex, counter-intuitive sequences that test the mover’s memory.  Yet Laban considered these scales to be foundational.

Part 1 of the Movement Harmony Project demonstrated how each Primary Scale can be partitioned to derive other Choreutic forms. Read More

Stimulate Your Grey Cells

While Laban was recuperating at Dartington Hall in 1939, he build a number of
small sculptures that exist now only as photographs. Among these are “tensegrity
structures” – geometrical forms that cantilever in space and achieve stability
through countertension.

Actually, Buckminister Fuller is credited with the discovery of tensegrity years after Laban created his forms. But I believe Laban intuitively grasped the concept and understood that the human body is a tensegrity, or rather, a biotensegrity structure.

Biotensegity has become a buzz word – but it is hard to find a really good explanation of how this mechanical concept is being applied to reshape our understanding of human anatomy.… Read More

Travel Back in Time

My first vacation reading recommendation for Labanistas is Thunder at Twilight:
Vienna 1913-14 by Frederic Morton. In this book, Morton portrays the royalty,
politicians, artists, intellectuals, and, above all, the atmosphere of Vienna just before
the outbreak of the First World War. It’s a fascinating cast of characters that
includes Emperor Franz Josef, Freud, Trotsky, and even Hitler.

The story culminates with the assassination of Archduke Franz Ferdinand by a young Serbian terrorist and the frantic machinations of the Emperor and his advisers to punish Serbia without setting in motion the network of European alliances.… Read More