Decoding Laban’s Choreutics I

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Choreutics is in many ways a straight-forward presentation of Laban’s movement theories.  However, more than any of Laban’s other books in English, Choreutics  is colored by Laban’s worldview.

It is recognized now that there is no such thing as pure objectivity; every theory is colored by its proposer’s experiences and beliefs.  Consequently, Laban’s worldview is not irrelevant to understanding ideas set forth in Choreutics.

In this series of blogs, I sketch aspects of Laban’s life and times and their potential influence on his theories of movement. … Read More

More Mysteries of Laban’s Masterpiece, Choreutics

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Laban intended for Choreutics, written in 1938-39, to be his introduction to the English reading public. With the outbreak of World War II, Laban was forced to postpone publication. After the war, however, Laban inexplicably abandoned the manuscript altogether.

Choreutics is not the only book that Laban abandoned, but it is the only manuscript that has vanished without a trace from the Rudolf Laban Archive, a vast collection of Laban’s writings and drawings from the final two decades of his career, now held by the National Resource Centre for Dance at the University of Surrey.… Read More

Movement Is the Life of Space

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The quotation above has always been one of my favorites from Laban’s masterwork, Choreutics. I like Laban’s assertion because it encourages us to think about space in a different way.

“Dead space does not exist,” Laban continues, “for there is neither space without movement nor movement without space.” It’s a little hard to wrap one’s head around this. We are accustomed to thinking of space as a gap between objects that are stable, real, and palpable. Space, on the other hand, is empty and void.… Read More

The Mystery of Laban’s Masterpiece, Choreutics

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Choreutics has always been my favorite book by Rudolf Laban, although it is by no means the most accessible of his writings. The text is prone to sudden jumps, from practical movement description to mystical metaphysics. Moreover, other mysteries surround this work.

For example, Laban wrote Choreutics during 1938-39, as he convalesced at Dartington Hall following his timely escape from continental Europe to England. According to his colleague Lisa Ullmann, Laban intended for the book “to introduce his ideas on movement and dance to an interested reading public in Britain.”… Read More

Decoding Rudolf Laban’s Choreutics: A Year of Guided Study

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Beginning in March, MoveScape Center will offer a series of Red Thread courses centered on Rudolf Laban’s Choreutics. These courses combine body and mind, delving into the physics and metaphysics of human movement through space and time.

The series opens with a Tetra seminar focused on Laban’s posthumously published masterpiece, Choreutics. Out-of-print for many years, Choreutics is once again available in paperback through Princeton/Dance Horizons Books.

In the opening springtime Tetra, MoveScape goes retro with a correspondence course. Based on an easy schedule, participants will read the Preface, Introduction, and first 12 chapters of Choreutics.… Read More

Looking Back, Looking Forward

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The wintery month of January is named after the Roman god Janus.  Janus had two faces, one that looked back and one that looked forward.  Similarly, this time of year invites introspection – reflection on things past and anticipation of things yet to be.  In honor of Janus, I look back and forward.

Movement study is not recognized as a discipline in its own right.  But someday it will be, thanks to the vision of remarkable people whose work and teachings have laid a foundation for the study of human movement. … Read More

On Space and Time

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Dance is an art that exists in both space and time.  In 2016, MoveScape Center will be offering a series of workshops about space, focusing on Rudolf Laban’s Choreutic theories.  As 2015 draws to an end, however, I want to focus on time.

Space is multi-dimensional. Time, on the other hand, is uni-directional.  It flows in one irreversible direction — from past to present to future.

In reality, we exist only in the present moment.  The past is gone; the future may never come. … Read More

Effort and Human Potential

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Since the discovery of neuroplasticity (the lifelong capacity of the human nervous system to regenerate and form new neural pathways), we aging Baby Boomers have been admonished to reinvent ourselves and learn new things, presumably so we will stay young forever.

This is, of course, hard advice to follow.  Not everyone wants to take up scuba diving or have a second career. Moreover, we are creatures of habit.  And one hallmark of skilled movement is that it has become, at least in part, automatic.… Read More

Effort and Inner Life

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Effort is not only about doing; it is also about being, or what Rudolf Laban calls movement thinking.  “Movement thinking could be considered as a gathering of impressions of happenings in one’s own mind, for which nomenclature is lacking.  This thinking does not serve orientation in the external world but rather it perfects man’s orientation in his inner world.”

Laban relates movement thinking to effort in the following way: “Man’s desire to orientate himself in the maze of his drives results in definite effort rhythms.” … Read More

Effort and Assertion

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Every voluntary human movement involves applying energy to change the position of the body.  Energy can be applied in many different ways.  Rudolf Laban referred to these various qualities of kinetic energy as effort.  Similarly, the moving body can trace many different shapes as it traverses space.  Consequently, the human beings possess a richer range of motion than most other species.   As Laban observes, “When jumping the cat will be relaxed and flexible.  A horse or a deer will bound wonderfully in the air, but its body will be tense and concentrated during the jump.”  … Read More