Dance and Politics

During the tumultuous history of the 20th century, nations have been dissolved and created.  In the latter instance, dance has been utilized to create and to critique national identity.   In The Body of the People, Jens Richard Giersdorf examines these dual functions during the brief existence (1949-1989) of the socialist German Democratic Republic (GDR).

Giersdorf argues that dance in the GDR “is one of the few cases in recent times of dance being purposefully utilized for the establishment of a distinct national identity at all levels of artistic practice and social discourse.”… Read More

Dance and Physical Disability

Parkinson’s Disease is a progressive nervous disorder that manifests as tremors, slowed movement, rigid muscles, impaired posture and balance, and other motor impairments.  Although the disease can’t be cured, dance has been found to ameliorate symptoms.

In 2001 Ollie Westheimer, the founder of the Brooklyn Parkinson’s Group, asked the Mark Morris Dance Company to create a rigorous creative dance program for individuals with Parkinson’s.  The request was based on the idea that trained dancers are experts whose knowledge of balance, sequencing, rhythm, and aesthetics is helpful in treating movement impairments associated with Parkinson’s.… Read More

Glide Reflection in Dance

Glide reflection combines translation and reflection. In this symmetry operation, a shape is moved a constant distance and then reflected; that is, the shape is oriented in an opposite direction. Many ornamental borders utilize this combination of symmetry operations.

In dance, glide reflection patterns can often be created by having dancers face in different directions. For example, in a line extending across the stage, the dancers alternate facing downstage or upstage. Or two lines of dancers stand facing each other then and cross through each other’s lines, heading in opposite directions.… Read More

Translational Symmetry in Dance

Translational symmetry involves repeating the same shape simply by shifting it a constant distance, usually in a line.  This type of symmetry can be found in many man-made objects, such as a row of evenly spaced identical pillars or the slats in a Venetian blind.

In dance, the choreography for the chorus line or the corps de ballet often utilizes translational symmetry.  The precision marching of soldiers on parade and even an unruly conga line will also display translational symmetry.

The Rockettes of Radio City Music Hall combine symmetry operations with synchronous timing to create the precise group patterns for which they are rightly famous.… Read More

Rotational Symmetry in Dance

A symmetry operation has to do with moving a shape through space in various ways and repeating the shape. The pattern is created through repetition. In rotational symmetry, shapes are moved in equal distances around an imaginary axis. For example, flower petals arrayed around the center of the blossom have rotational symmetry.

Circle dances performed by a group are the most obvious example of rotational symmetry. But a soloist can also create rotational symmetry simply by making a series of quarter turns and repeating an action or pose.… Read More

Dancing and Painting in Laban’s Footsteps

In 1913 an obscure Eastern European painter named Rudolf Laban declared he was giving up painting to become a dancer.  I’m reversing Laban’s career path, yet I find the study of painting to be curiously similar to the study of movement.

Like the Impressionists, I’m interested in capturing the effect of light on colored objects – something almost as ephemeral as movement, especially when painting outdoors.

Just as you have to give up certain perceptual habits to really see movement, you have to break habits to really see color.… Read More

The Grotesque in Dance

Writings on the grotesque seldom discuss dance.  Yet, during the 1700s, Italian dancers trained in a “grotesque” style were in demand all over Europe.  These grotteschi combined French ballet technique with a vigorous athleticism and pantomimic skills to portray comic and “foreign/non-European” characters.  This historical precedent provides a clue to the creative uses of the grotesque.

The grotesque, above all, represents the Other.  The Other may simply be someone of another nation, race, or creed.  Or, within a given situation, the grotesque may depict “Otherness” by transgressing social norms. … Read More

Stir Your Creative Juices

My third recommendation is The Creative Habit: Learn It and Use It for Life by Twyla Tharp. It’s marketed as a “how-to book” with 32 practical exercises that anyone can use. “Exercises” sound like work, and heck, you’re on holiday.

So you don’t actually have to do any of the exercises. Instead dip into this book forthe pleasure of reading how a successful artist creates dances. While this is interesting in itself, Tharp’s book incorporates creative practices and quotations from other types of artists and professionals.… Read More

From Time and Motion Study to Dancing with Robots

In the first three Industrial Revolutions new sources of power and mechanical inventions necessitated careful study and training of human workers so that labor was safe, effective, and productive.  For example, the dancer and choreographer Rudolf Laban drew on his movement knowledge to address problems arising from the repetitive assembly line labor that characterized the second Industrial Revolution.

New concerns are voiced about upcoming technological changes.  Klaus Schwab, Chairman of the World Economic Forum, worries that the “Fourth Industrial Revolution may indeed have the potential to “robotize humanity.”… Read More

Dance Improvisation and Life Skills

Social dance classes have become exponentially popular since I was at Stanford, with classes filling through online registration in less than a minute.  Lecturer Richard Powers, who launched the program in 1992, estimates that 15,000 Stanford students have taken his classes over the last 27 years.

Students interviewed for the May article in the Stanford Alumni magazine cite many “take aways” from learning ballroom dance that translate to other areas of life.  For example, one mechanical engineering student found that dancing was a way to empty his mind and be with his partner, equating the experience to meditation – only better!… Read More