Irmgard Bartenieff – A Personal Note

When I began to study with Irmgard, she was 75 – well past retirement age.  But she was not retired.  She remained actively engaged with the study of movement in many different ways.

Irmgard’s primary job was teaching in and directing the Effort/Shape Program at the Dance Notation Bureau in New York City.  In addition, she maintained a small connective tissue massage practice and was quietly writing a book, which would finally be published when she turned 80.

During the winter, Irmgard went to Hawaii, where she did research on Asian dance forms with colleagues at the University of Hawaii. … Read More

Irmgard Bartenieff: Renaissance Woman

Although Rudolf Laban was a polymath, his reputation today remains siloed in the discipline of dance. This is not the case for Irmgard Bartenieff. Her set of unique and wide-ranging interests led her to understand movement analysis as both an art and a science. Her career reflects a similar diversity.

Irmgard worked as a dancer, creating and performing works; as a massage and physical therapist, treating physical problems; as a dance/movement therapist, addressing psychological issues; and as a dance ethnographer, studying cross-cultural patterns of movement.… Read More

Irmgard’s Insight

When Irmgard Bartenieff was unable to find a place in the American modern dance community, she returned to her original interests in biology, studying physical therapy, then working with polio victims.  These experiences gave her new insight into the theories she had learned from Rudolf Laban.

Her studies with Laban in Germany focused on dance.  Consequently, Laban’s theories appeared to apply to high functioning movers.  When Irmgard began to work with individuals disabled by polio, she was surprised to find that Laban’s ideas were relevant here as well.… Read More

Betraying Dance?

According to some reports, Kurt Jooss was very disappointed when Laban began studying industrial work movement in English factories. For Jooss, physical labor had nothing to do with dance. Even in later years, Jooss continued to view “Eukinetics” as dance dynamics, while Laban’s expanding notions of “Effort” related only to work.

Irmgard did not agree with Jooss. Instead, she wrote the following to Laban in 1944:

“I cannot share the doubts of those of your friends who think that you are not doing ‘the right thing’ in the world of dance – to me this world has become – shall I say: ‘enlarged’ or ‘deepened’ under the material and artistic struggle of these last years.”… Read More

Irmgard Bartenieff’s Necessity

Irmgard Bartenieff was 33 when Hitler came to power in Germany. Two years later, she and her Jewish husband were forced to close their dance company. Although they immigrated to the US in 1937, they found the American dance community did not want European ideas. Consequently, Irmgard and her husband had to find another way to earn a living.

Rudolf Laban’s career followed a similar trajectory. After he immigrated to England in 1937, he too had to find other ways to earn a living beyond dance.… Read More

Beyond Dance

The 1936 arrival of the dancing Bartenieffs in the US was not fortuitous.  As Irmgard recalled, “I did not find the American community receptive to Laban.” Modern dancers “were intent on creating an American dance idiom.  They did not want European ideas.”

To earn a living, the Bartenieffs trained in massage.  In assessing the needs of her clients, Irmgard drew on Laban’s notions that everyone can dance; that is, move expressively for the intrinsic pleasure of doing so.

Irmgard began to examine the relation between movement function and expression with her massage clients, and this led her to pursue training in physical therapy.… Read More

Coming of Age in the Weimar Republic

Irmgard Bartenieff entered university as a young adult just as Germany entered a new period. As she recalled, “Germany had experienced a disastrous defeat.  The monarchy was abolished. The radical groups of socialism and communism came in, and it was really all these very factors that attracted everybody in the arts”… including Rudolf Laban.

Irmgard did not encounter Laban’s work until 1922, when, quite by accident, she began studying dance with one of his students.  As Irmgard’s interest deepened, the teacher encouraged her to work directly with Laban.… Read More

The Life and Times of Irmgard Bartenieff

Irmgard Bartenieff (1900-1981) has come to personify the far-ranging applicability of Laban-based movement analysis.  Her 60-year career spanned two continents, two languages, and multiple disciplines.  Her work continues to inspire the growing community of professionals who must grapple with understanding the ephemeral phenomenon of human movement.

In preparation for the upcoming MoveScape Center seminar, “Irmgard Bartenieff: In Her Own Words,” my July blogs survey the life and times of this remarkable woman.

Let’s begin at the beginning.

During Irmgard’s childhood, Germany was a peaceful monarchy. … Read More

My Upcoming Sabbatical

In addition to 50 years as a movement analyst, I have been directing MoveScape Center for a dozen years.  The time has come for a sabbatical.

Consequently, MoveScape Center will be quiet for a few months while I pursue various writing projects.

Blogs and email announcements will resume in July.

And two courses will be back by popular demand – “Irmgard Bartenieff:  In Her Own Words” in September and “Mostly about Shape (and a little bit about Effort)” in October.

 … Read More

Homage to Bartenieff

Fifty years ago, I was lucky to study “effort/shape” with Irmgard Bartenieff, to assist in her classes at the Dance Notation Bureau, and to join the faculty and staff of the Laban/Bartenieff Institute when it was founded in 1978.

Irmgard managed to publish her magnus opus Body Movement in 1980 with the help of co-author Dori Lewis.  The book is a wonderful resource that would not have been finished without Dori’s assistance.

But I never hear Irmgard’s voice when I read the book.… Read More