Labanotation in Therapy

Bartenieff begins by explaining that Labanotation can capture in every detail “the path and design of a faulty movement,” providing the physical therapist with precise information about what needs to be corrected.

However, as physical therapists are becoming more concerned the emotional elements that characterize biological movement, Labanotation is found wanting.

“No longer can the therapist depend upon a system of notation which deals with quantity, with architectural structure and design,” Bartenieff asserts.  Instead the therapist “must turn to a system which tells how movement takes place.”… Read More

Food for Thought

In 1962, Irmgard Bartenieff was expected to lecture on “Notation in Physical Therapy” for a national conference hosted by the Dance Notation Bureau in New York City.  Instead, she lectured on “Effort Observation and Assessment in Rehabilitation.”

In this historic lecture, Bartenieff clearly differentiates how the structural notation, developed by Rudolf Laban, and the effort/shape notation, developed by Warren Lamb, provide complementary information for those involved in physical and psychological therapies.

Her paper provides much food for thought.  Since November is the month of the Thanksgiving feast, Bartenieff’s observations are the subject for my November blogs.… Read More

On the Spell Drive

October is the month of Halloween, and so it seems appropriate that my blogs this month focus on the transformation drive Laban named the “Spell Drive.”

In these effort combinations, Flow replaces Time, melding with the stabilizing qualities of Weight and Space.  Spell is the timeless drive that conjures up an inescapable intensity of concentration or fascination.  As Bartenieff describes, “It is comparable to ‘a witch’s spell,’ or the power of an irresistible seduction.”

Spell always seems to me to be the effort drive least suited to contemporary life, in which time is always foreground because everything happens so quickly, or not quickly enough. … Read More

Is LBMS a T.O.E.?

For Rudolf Laban, movement became the lens through which he could intuitively grasp the unity of all existence. This realization, however, was not enough.

He wanted to study and practice movement more closely, and this necessitated developing an objective and analytical tool known today as LBMS (Laban Bartenieff Movement Studies). Studying movement with LBMS can have profound implications.

Irmgard Bartenieff – dancer, physical therapist, dance therapist, and movement researcher – is a case in point.  Her career, in fact, her whole being was a testament to the power of movement study to unify one’s worldview.… Read More

Change in Any Part…

“Change in any part changes the whole.”  This was Irmgard Bartenieff’s view.

As a physical and later dance therapist, Bartenieff (1900-1981) was responsible for catalyzing changes in the movement and behavioral patterns of her clients.   But, as her statement suggests, it was not always necessary to address physical and psychological issues directly.

Movement involves the whole person – not just the physical parts but the mental and emotional parts as well.  Similarly, the body itself is a system of interrelated systems. … Read More

The Dance World in 1900

As Laban’s desire to become a dancer grew, he realized that he had set his heart “on the most despised profession in the world.”  Compared to the visual arts, dance was a discipline defined more by what it lacked than by what it offered.

By the beginning of the 20th century, the visual arts had a long history, surviving masterpieces, institutions devoted to preservation and development, evolving venues for innovation, and most importantly, theories and writings by artists themselves that illuminated practices, styles, and innovations.… Read More

Modern Art and Modern Dance

Of all the iconoclastic art movements of the late nineteenth and twentieth centuries, Art Nouveau (literally “new art”) was the most self-consciously modern.  It broke with the long-standing European tradition of realistic painting that conveyed a lifelike three-dimensionality.  Instead, Art Nouveau artists opted for a two-dimensional stylization of natural forms, with an emphasis on pattern.

Likewise, the early modern dancers abandoned long-standing European dance traditions, breaking out of the set vocabulary and spatial geography of classical ballet.

As he emerged as a leading figure of modern dance in Europe, Laban’s familiarity with Art Nouveau not only inspired his search for new forms, but also provided him with a deep understanding of how to create beautiful patterns.… Read More

Films of Irmgard Bartenieff

Films-Of-Irmgard-Bartenieff

One of the opening events of the Laban Institute’s 40th Anniversary Conference included a couple of films of Irmgard Bartenieff leading a movement session with a young dancer. The rough footage probably dates from the 1960s. Several movement analysts who worked with Irmgard in the early days were asked to comment on the films.  An excerpt of my comments are posted below.

“Irmgard had very expressive hands. For such a slender and fragile looking woman, Irmgard’s hands always gave an impression of being larger than one would have expected. Read More

Bartenieff Symposium – Many Happy Connections

Bartenieff-Symposium-Happy-Connections

On November 10th close to 65 Labanites gathered at the Performing Arts Center at the University of Maryland, College Park, to celebrate the opening of the Irmgard Bartenieff Archive.

 

Susan Wiesner, a digital humanist, had organized the event. Here is birds’ eye view of the happy gathering.

 

– Forrestine Paulay and Martha Davis in conversation about their respective studies and research with Irmgard

 

– Carol-Lynne Moore – Bartenieff: Icon of Possibilities

 

– Ann Hutchinson Guest and others –  sharing memories of Irmgard

 

– Movement sessions led by Peggy Hackney, Tara Francia Stepenberg, and Karen Studd

 

-Robin Neveu Brown (and husband) – comedic performance piece on giving birth through Laban lenses

 

-Catherine Eliot – Bartenieff’s Legacy and Occupational Therapy

 

-Rachell Palnick Tsachor – Movement and Trauma

 

-Susan Wiesner – film showing of “Schrifftanz Zwei” – a reimagining of Bartenieff’s “Chinese Ballad” choreography, based on archival notes and floor plans

 

The event closed with a movement choir led by Catherine McCoubrey

 

This was one of the most satisfying events I’ve been to – a wonderful reconnecting with old friends and new.Read More

Irmgard Bartenieff Archive – A Miracle

Irmgard Barenieff-Archive-Miracle

For years after Bartenieff’s death in 1981, the Laban Bartenieff Institute of Movement Studies carefully stored her papers but lacked the funds for full preservation and cataloging. The papers remained, untouched and unseen, in a warehouse in Brooklyn. And then there was a fire in the warehouse.

 

A cry for help went out to the Laban community, and through crowdfunding, enough money was raised to allow Vincent Novarra, Curator of Special Collections from the University of Maryland Performing Arts Library, to rent a truck, drive to Brooklyn, and see if Bartenieff’s papers had survived.Read More