Laban’s Choreutic forms both mirror and challenge the natural range of motion of the human body. As Laban was designing these movement sequences, he drew upon his first career as a visual artist. It’s clear from his figure drawings that he had studied anatomy. And he applied this knowledge in theorizing the shapes the moving limbs can trace in space.
As I note in The Harmonic Structure of Movement, Music, and Dance, Laban does not distort the proportion of the body itself. … Read More