Laban wrote Mastery of Movement on the Stage (1st edition) “as an incentive to personal mobility.” And indeed, the first two chapters provide a number of explorations organized around movement themes focused on body and/or effort. Laban hopes to encourage a kind of “mobile reading,” as he explains in the Preface.
However, he also notes that there is something in the book for those who want to remain in a comfy chair. That is, such readers can learn more about “thinking in terms of movement.” … Read More