Laban’s life work was to create a rich palette of movement options from which a performer could draw. By the time he wrote Mastery of Movement, he had a lifetime of experience observing movement and working with dancers and actors, which he distilled into this intriguing work.
Ironically, Laban’s own creative methods and experimental dance and theatre works are little known. However, recent re-creations of work mounted by Valerie Preston-Dunlop, Alison Curtis-Jones, and Melanie Clarke provide glimpses of his work and methods that are useful in illuminating aspects of Mastery of Movement.… Read More