For Laban, human movement unfolds in a sphere of space surrounding the body. He called this orb of movement space the “kinesphere.” Then, to provide landmarks in this trackless sphere, Laban gave it a familiar geometrical form.
Or I should say, forms. For in Choreutics, Laban’s discussion of the kinesphere proceeds from a cubic model to an octahedron, a cuboctahedron, and then the icosahedron.
This is a logical progression, but also one with deeper meaning. For cubes, octahedrons, and cuboctahedrons occur naturally in lifeless, inorganic crystals. … Read More