Movement and Human Needs

Posted on February 1, 2018 by Carol-Lynne Moore

“Man moves in order to satisfy a need,” Rudolf Laban writes in the Introduction to Mastery of Movement. “It is easy to perceive the aim of a person’s movement if it is directed to some tangible object. Yet there also exist intangible values that inspire movement.”

Laban returns to the theme of tangible and intangible motivations several times in Mastery. In many ways, his notions of the motives that spur human movement echo Abraham Maslow’s theory of a Hierarchy of Needs. Put simply, Maslow’s model differentiates human needs based on sustaining personal existence from those aimed at transcending personal existence; that is, his hierarchy divides the tangible from the intangible motivators.

In Beyond Words, we drew upon Maslow’s ideas as a way to survey different roles of movement in human life. Lying along a continuum from the functional to the expressive, we identified four key areas: movement in work (the productive function), movement in war and sports (the protective function), movement in a social display (the communicative/affiliative function), and movement in worship (the transcendental function).

In interesting ways, Laban’s own theories and studies of movement touch upon all four areas. Find out more in the next series of blogs.

Unlocking Laban’s Legacy

Posted on January 18, 2018 by Carol-Lynne Moore

I began my blogs this year by looking back. Now I want to look forward – to how the past accomplishments of pioneers of movement study can enrich present and future generations.

Rudolf Laban’s assertion that human movement has a harmonic structure analogous to musical harmony is one idea I would like to see taken seriously enough to be tested. While I have presented Laban’s notions in detail in The Harmonic Structure of Movement, Music, and Dance, this is not enough.

Consequently, I am launching the Advanced Movement Harmony project later this year. With measured steps, I intend to present the Choreutic and Eukinetic sequences identified by Laban in comprehensible forms that can be embodied. Many of these effort and space sequences have been published, by Laban and by others. But these representations are scattered, and in some cases, very difficult to understand, let alone embody.

So stay tuned. More about this project as the year unfolds!

Exciting Times in the Laban Archive

Posted on January 16, 2018 by Carol-Lynne Moore

For most dance and movement people, glistening with sweat and reveling in the joys of embodiment, research in a dusty archive must sound like one of the dullest pastimes ever. Few things are as exhilarating as dancing, but discovering things in an archive can also be exciting. I ought to know.

I spent seven years (with time out for good behavior!) doing research in the Rudolf Laban Archive at the National Resource Centre for Dance in England. I was perusing Laban’s unpublished writings and drawings. During this time, I learned how Laban worked as a theorist. I glimpsed how he was developing and extending his thinking about human movement. And I began to see how these new ideas could be brought to life in the movement studio.

In these ways, the past has animated my present and future. I’m dedicated, not just to replicating Laban as we know him, but to pushing the envelope and seeing how his ideas can be tested and extended.

I’m doing this by encouraging close reading of Laban’s masterworks – Choreutics and The Mastery of Movement. I’ll be offering two correspondence courses this year – the first on Mastery of Movement; the second on Part 2 of Choreutics (which really does have to be decoded!). Find out more.

More Archival Traces of Bartenieff

Posted on January 11, 2018 by Carol-Lynne Moore

Irmgard Bartenieff’s letters to Rudolf Laban, as I mentioned in the previous blog, also reveal how she adapted to American culture and redefined herself as a professional – moving beyond dance into physical therapy, dance therapy, and dance anthropology.

In a letter to Laban dated July 21, 1944, Irmgard wrote:

“I went into my work with the sick abnormal body with this curiosity, and I discovered, while always working with the sick as well as with the average untrained working person, how deeply buried the joy and understanding of movement is in most people – to a degree that we really cannot be astonished about the small audiences dancers get.”

Later, in her letter to Laban dated October 12, 1947, Bartenieff added:

“As you probably remember, this ‘insulated’ business of what we used to call ‘Kunsttanz’ [art dance] has never fully given satisfaction to me – I am much rather an artisan with good tools and alert senses to perfect and understand movement in its many manifestations and work with many different people. And for that here in America is ample opportunity.”

The Laban community is very fortunate that so many archival traces are still available for study. There is still much to be learned from the pioneers of our field. Find out more in the next blog.

Movement Study Anniversaries — Past and Present

Posted on January 4, 2018 by Carol-Lynne Moore

Continuing the January theme of looking back and forward, 2017 marked the fiftieth anniversary of the Language of Dance Center UK and the twentieth anniversary of the Language of Dance US. The LOD centers are dedicated to the promotion of movement literacy by linking dance notation with creative dance exploration and education.

To commemorate these milestones, a celebration was held on October 28, 2017, at the Royal Academy of Dance in London.This event included a free workshop followed by a panel discussion on applications of the Language of Dance in the UK, US, Mexico, and Japan. A gala party followed, which also honored dance notation pioneer and LOD founder, Ann Hutchinson Guest, on the happy occasion of her 99th birthday.

Looking forward, the Laban/Bartenieff Institute of Movement Studies (LIMS) is celebrating its fortieth anniversary with a conference in New York City May 31- June 2. Since 1978, the Institute has carried the mission of preserving, teaching, and advancing Laban-based movement studies.

As a member of the Founding Board of LIMS and one of the honorary conference chairs, I look forward to the event, which will not only honor movement analysis pioneer Irmgard Bartenieff but also highlight the many applications of movement study in all walks of life.

Celebrating Janus in January

Posted on January 2, 2018 by Carol-Lynne Moore

January is named after the Roman god Janus. As the god of beginnings, transitions, and endings, Janus is usually depicted with two faces, one looking to the future and one to the past. To celebrate the god of this month, I will begin a new year of blogging with some reflections on the previous year.

2017 was marked by progress in preserving the history of movement analysis. Materials contributed to the National Resource Centre for Dance at the University of Surrey by Rudolf Laban’s gifted protégé, Warren Lamb, have now been preserved and catalogued. Given the time and resource intensive nature of archive work, this is a major step forward. Hopefully, the catalogue of this archive will become available online later this year.

Through similarly epic preservation efforts, the archives of movement analysis pioneer Irmgard Bartenieff are now housed, catalogued, and publicly accessible in the Special Collections of the Performing Arts Library at the University of Maryland, College Park.

In addition, the archives of Motus Humanus, an Anglo-American professional organization for Laban Movement Analysts, have also been transferred to the National Resources Centre for Dance. A partial donation of material made in 2017 will be followed by additional donations in 2018, including monies for preservation and cataloging.

And that’s not all – find out more about landmarks of 2017 in the next blogs.

Bartenieff Symposium – Many Happy Connections

Posted on December 14, 2017 by Carol-Lynne Moore

On November 10th close to 65 Labanites gathered at the Performing Arts Center at the University of Maryland, College Park, to celebrate the opening of the Irmgard Bartenieff Archive.

Susan Wiesner, a digital humanist, had organized the event. Here is birds’ eye view of the happy gathering.

– Forrestine Paulay and Martha Davis in conversation about their respective studies and research with Irmgard

– Carol-Lynne Moore – Bartenieff: Icon of Possibilities

– Ann Hutchinson Guest and others – sharing memories of Irmgard

– Movement sessions led by Peggy Hackney, Tara Francia Stepenberg, and Karen Studd

-Robin Neveu Brown (and husband) – comedic performance piece on giving birth through Laban lenses

-Catherine Eliot – Bartenieff’s Legacy and Occupational Therapy

-Rachell Palnick Tsachor – Movement and Trauma

-Susan Wiesner – film showing of “Schrifftanz Zwei” – a reimagining of Bartenieff’s “Chinese Ballad” choreography, based on archival notes and floor plans

The event closed with a movement choir led by Catherine McCoubrey

This was one of the most satisfying events I’ve been to – a wonderful reconnecting with old friends and new. Hats off to Susan Wiesner, curator Vincent Novarra, and the whole staff of the Performing Arts Library Special Collections!

Irmgard Bartenieff Archive – A Miracle

Posted on December 12, 2017 by Carol-Lynne Moore

For years after Bartenieff’s death in 1981, the Laban Bartenieff Institute of Movement Studies carefully stored her papers but lacked the funds for full preservation and cataloging. The papers remained, untouched and unseen, in a warehouse in Brooklyn. And then there was a fire in the warehouse.

A cry for help went out to the Laban community, and through crowdfunding, enough money was raised to allow Vincent Novarra, Curator of Special Collections from the University of Maryland Performing Arts Library, to rent a truck, drive to Brooklyn, and see if Bartenieff’s papers had survived. They had!

He brought the boxes, along with the Laban Institute papers, back to Maryland. And then the second miracle occurred. The library found funds to hire Dr. Susan Wiesner, digital humanist, to catalog the collection.

None of this would have happened if Professor Karen Bradley had not laid the groundwork for housing these archives in Maryland. Three years later, the Archive is now available for public access.

This means that in the future it will be possible to construct a much fuller portrait of the remarkable woman who has so profoundly influenced Laban training in the U.S.

Dance and the Written Word

Posted on December 7, 2017 by Carol-Lynne Moore

Dance is a nonverbal art. Yet, as practitioners of an evanescent art, writing is often quite important to dancers. Nijinsky kept a diary. Loie Fuller, Isadora Duncan, Martha Graham, Agnes DeMille, and Paul Taylor produced autobiographies. Isadora Duncan wrote essays on the dance, as did Merce Cunningham and Murray Louis. Doris Humphrey and Twyla Tharp have addressed creative issues in dance. Katherine Dunham, whose career spans anthropology and performance, has written profusely.

The list goes on and on. Dance may be a nonverbal art, but dancers are hardly silent on this subject. And the written traces of their lives and work matter.

Written traces not only include published works but the much larger body of correspondence, notes, sketches, diaries, photographs, even invoices. From these scattered sources a fuller picture of the individual artist emerges – their friends and family, their private thoughts, their challenges as well as their successes.

For example, the dance scholar Juana de Laban’s archive is housed at the Dallas Public Library. Dr. de Laban, my undergraduate dance history teacher at Southern Methodist University, was the eldest daughter of Rudolf Laban’s second marriage. Her correspondence with her father, dating from after World War II, paints a much different picture of Laban’s family relations than what is usually recounted in other sources.

For this reason, the opening of the Irmgard Bartenieff Archive in the Performing Arts Library at the University of Maryland, College Park, is cause for celebration. More about this miracle in the next blog.

Laban Prevails

Posted on November 19, 2017 by Carol-Lynne Moore

At the recent Bartenieff Symposium, Martha Davis lamented the loss of seminal works in nonverbal communication research. During the 1960s, there was lots of money for research. While she assisted Irmgard Bartenieff at Albert Einstein Day Hospital, other researchers such as Ray Birdwhistell, Albert Scheflen, and William Condon would drop by for informal discussions of what they were doing.Today, no one reads their work; current students are advised not to read research it wasn’t done in the last five years.

But Laban prevails. Through thick and thin, organizations such as the Laban Guild, the Dance Notation Bureau, the Laban/Bartenieff Institute, and the Language of Dance Centres, along with other groups such as Eurolab, ICKL, and Motus Humanus, have provided basic and advanced training and opportunities for collegial exchange.

The Laban communities have produced a rich literature that is still read. The Laban community has continuity.

Movement study has always been interdisciplinary, and perhaps that is what keeps us going. In her Statement to the Press, when Bartenieff was being added to Laban Institute moniker, Irmgard noted:

“We need a place where the related disciplines which deal with human expression and physical function can enrich their knowledge – a center for comparison, analysis, and cross-fertilization of ideas from the whole field of movement study. It is my hope that here we will, in a true sense, strengthen the thinking which we begin to call holistic in science and in the arts.”