Author Archives: Carol-Lynne Moore

Dancing Art Nouveau

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In his first career as a visual artist, Laban was closely involved in the Art Nouveau movement.  Literally meaning “new art,” Art Nouveau was a self-consciously modern movement focused on the applied arts rather than the fine arts.  The movement expressed itself in innovations in architecture, furniture, fabric, dishes, lamps, jewelry – redesigning the everyday objects that people use and the spaces they inhabit.  

In short, Art Nouveau aimed to break with tradition and change the shape of the modern world.… Read More

Laban’s “Deflected Direction” Hypothesis

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Dimensions = stability and diagonals = mobility. Yet, according to Laban, “neither pure stability nor pure mobility exist.”  Natural human movement “is a composite of stabilizing and mobilizing tendencies.”

What is going on here?  Laban has taken a lot of trouble to delineate the dimensional and diagonal lines of motion.  And every Laban student, whether in a basic or advanced course, practices dimensional and diagonal sequences over and over again.  

Then Laban surprises us with the “deflected direction hypothesis.”  All of a sudden, he observes that “the deflected or mixed inclinations are more apt to reflect trace-forms of living matter.”… Read More

Stability and Mobility

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“Stability and mobility endlessly alternate,” Laban writes in Choreutics. This basic pattern underlies all movement through space. For instance, in a turning leap, spinning while flying through the air leads to a temporary loss of equilibrium. But when the feet touch the floor, there is a return to quietude and relative balance.

According to Laban, “movements containing dimensional tensions give a feeling of stability.” These fundamental lines of motion – up and down, across and open, backwards and forwards – are Laban’s stable prototypes.  … Read More

Decoding Choreutics: The Next Step

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I’ve read the first part of Laban masterpiece, Choreutics (also known as The Language of Movement) many times.  And I’ve even developed a correspondence course designed to help other readers with this rich but difficult text.

However, I have to admit that reading Part 2 is a real challenge. Lisa Ullmann edited Laban’s manuscript, which makes up the first part of the book, several years after Laban’s death.  She added Part 2, which is based entirely on a compilation of “basic movement scales and configurations” made by Gertrud Snell Friedburg and presented to Laban for his fiftieth birthday in 1929.… Read More

Lifetimes Spent Studying Movement

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At the closing banquet of the LIMS 40th Anniversary Conference, three Lifetime Achievement Awards were presented to Bonnie Bainbridge Cohen, Peggy Hackney, and myself.

I’m sure I speak for the other two recipients when I say that it is a great honor to have one’s efforts recognized by colleagues. For all of us, the encounter with Rudolf Laban’s ideas and our studies so long ago with the remarkable Irmgard Bartenieff have been truly life-changing. Though our journeys have gone in different directions, they spring from the same roots.… Read More

Films of Irmgard Bartenieff

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One of the opening events of the Laban Institute’s 40th Anniversary Conference included a couple of films of Irmgard Bartenieff leading a movement session with a young dancer. The rough footage probably dates from the 1960s. Several movement analysts who worked with Irmgard in the early days were asked to comment on the films.  An excerpt of my comments are posted below.

“Irmgard had very expressive hands. For such a slender and fragile looking woman, Irmgard’s hands always gave an impression of being larger than one would have expected. … Read More

International Connections

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International-Connections

Since MoveScape Center started running correspondence courses, it has been my pleasure to interact in virtual space with movement analysts on five continents. The LIMS Conference in New York made it possible to meet and learn more about the work of several of my correspondents, and to make new friends as well.

I was able to participate in the workshop of Lorella Rapisarda (Italy), whom I met through her participation in the “Decoding Choreutics” course. Lorella’s elegant conference workshop explored “The Missing Pull;” or, more accurately, what to do when one cannot fall automatically into the next thing, but must cope with a static situation.… Read More

A Bird’s Eye View of the LIMS Conference

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A bird flying over Manhattan in early June would have detected several hot spots of movement activity and collegial exchange. Sites for the Laban Institute conference ranged from Hunter College on the upper east side, to midtown near Bryant Park, to Washington Square Park in the West Village.

With as many as four sessions running concurrently and over 200 participants, it is impossible to provide an encyclopedic report on the conference as a whole. Some highlights for me were the following sessions.… Read More

LIMS Turns 40!

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The Laban/Bartenieff Institute of Movement Studies (LIMS) celebrated its 40th anniversary with a fabulous conference in New York City in early June. This international gathering was an embarrassment of riches, with fascinating workshops, panels, papers, and dance events.  

Forty years ago, I was part of the Founding Board of the Institute, and I remember clearly our first conference in 1979 (celebrating the centennial of Laban’s 1879 birth). We were a young group of founders, enthusiastic and somewhat inexperienced.   But in 1979, many of Laban’s colleagues were still active.… Read More

Having a Good Fight

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Many years ago while studying counseling psychology, I analyzed the “Gloria tapes.”  In these films three famous psychotherapists – Carl Rogers, Fritz Perls, and Albert Elllis – each interview the same young woman, Gloria.   Through my focus on the nonverbal dimension of the therapy session with Perls, I learned something about movement and fighting.

Mirroring, echoing, and synchrony are indicative of rapport. As I watched the videotape without sound, I saw many instances of these behaviors between Gloria and Perls.… Read More